1718--93 Swedish painter and pastellist, active in Germany and France. He trained with Lars Ehrenbill (1697-1747), a draughtsman employed by the Admiralty in Malmö, and in Stockholm under Georg Engelhardt Schräder (1684-1750), a portrait painter working in the tradition of Hyacinthe Rigaud and Nicolas de Largillierre. In 1741 Roslin moved to Göteborg, but the following year he returned to Malmö, where he executed devotional works for the parish church of Hasslöv, Halland, and began establishing himself as a portrait painter.   Related Paintings of Alexander Roslin :. | Portrait of Ekaterina Chernesheva | joseph marie terray, fransminister | Self-Portrait | madame de lamballe | damen med slojan |
Related Artists:
Johann Georg Edlinger
painted Family Portrait in 1800
Gregorio Lopes
Gregorio Lopes (c. 1490 - 1550) was one of the most important Renaissance painters from Portugal. Gregorio Lopes was educated in the workshop of Jorge Afonso, the court painter of King Manuel I. Later he himself became court painter for both Manuel I and for his successor, John III. In 1514 he married the daughter of Jorge Afonso, and in 1520 was knighted by Prince Jorge de Lencastre and entered the Order of Santiago. The work of Gregorio Lopes mainly consists of painted religious altarpieces for various churches and monasteries in central Portugal. Between 1520 and 1525 he worked (together with Jorge Leal) in painting altarpieces for the Saint Francis Convent of Lisbon. Also in the 1520s he painted panels for the Church of Paraeso (Paradise), also in Lisbon. In his first fase, Gregorio Lopes also worked in Sesimbra, Setebal and in the Monastery of Ferreirim, in this latter case together with Cristevao de Figueiredo and Garcia Fernandes. The painter moved in the 1530s to the city of Tomar, where he painted various panels for the Round Church of the Convent of Christ (1536 - 1539) and the main altarpiece of the Church of Saint John the Baptist (1538 - 1539). His last known works include altarpieces for the Convent of Santos-o-Novo in Lisbon (1540) and the Valverde Convent, near Évora (1545).
GRIMMER, Abel
Flemish Baroque Era Painter, ca.1570-C.1619 Son of Jacob Grimmer. He married Catharina Lescornet on 29 September 1591 and in 1592 became a master in the Antwerp Guild of St Luke. He is principally known for his numerous small paintings of country scenes, sometimes with a biblical theme, which often form part of a series of the Four Seasons or the Months of the Year. Some of these paintings were inspired by or even copied from prints by Pieter Bruegel I and Hans Bol, both of whose work strongly influenced Abel, even more so than did the example of his father's work, which was also an important source of inspiration. Abel's series of the Twelve Months (1592; Montfaucon-en-Velay, Haute-Loire, Chapelle Notre-Dame) are exact copies of Adriaen Collaert's prints after Hans Bol (Hollstein: Dut. & Flem., iv, nos 523-34), published by Hans van Luyck ( fl c. 1580-85) in 1585. Spring and Summer (Antwerp, Kon. Mus. S. Kst.) are almost exact copies of two prints by Pieter van der Heyden